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Manueline architectural style

  • 1 Manueline architectural style

       An innovative, unique architectural and art style named after King Manuel I (r. 1495-1521). In the middle of the 19th century, Portuguese romantic writers, including the great Almeida Garrett, began to describe the unusual architectural style developed during Manuel's reign as "Manueline." In recent years, some scholars have termed the style "Atlantic baroque" instead, because it combines themes of maritime life and a grotesque, even wild look. The style continued some years after Manuel's death in 1521. Both civil and religious architecture were affected by the style. It appears in private houses, as well as in historical monuments such as Jerónimos Monastery and the famous "Tomar Window" of the Order of Christ Chapel in Tomar. Typical of Manueline decorations are sea life and maritime themes of coral, ropes, buoys, cork, ship rigging, seaweeds and other sea plant life; tropical fruits and vegetables; and figures of mariners, all rendered in stone.

    Historical dictionary of Portugal > Manueline architectural style

  • 2 Architecture

       Portugal maintains an important architectural legacy from a long history of contact with invaders and other visitors who brought architectural ideas from Western Europe and North Africa. Among the migrants were Phoenicians, Greeks, Romans, Germanic peoples, and Arabs, as well as visitors from France, Italy, Holland, Germany, Spain, and Great Britain.
       Architecture in Portugal has been influenced by the broad Western architectural styles, including Romanesque, Gothic, Renaissance, Baroque, and Neoclassicism. Two Portuguese architectural styles are unique, the Manueline architectural style and the Pombaline, named after the dictator the Marquis of Pombal. Pre-Roman-esque styles include early Megalithic structures, Roman styles, and Moorish or Arab styles, when Portugal was occupied by Muslims (711-1290). This period of Moorish castles and mosques, most but not all of which were razed, was followed by the Romanesque period (1100-ca. 1230), when many churches, monasteries, castles, and palaces were constructed.
       There followed the Gothic period (ca. 1200-1450), which was dominated by buildings for the Church, the monarchy, and the nobility. Related to Portugal's overseas empire, the kingdom's new role briefly as a world power, especially on the seas, and to the reign of King Manuel I, is the Manueline architectural style, described by scholars as "Atlantic Baroque" (ca. 1490-1520), a bold Portuguese version of late Gothic style. This was followed by styles of Renaissance and Mannerism (ca. 1520-1650), including the "Plain style," which was influenced by Castilian styles under King Felipe I.
       Following the period 1580 to 1640, when Spain ruled Portugal, there was restoration architecture (1640-1717) and then the Baroque style (1717-55). The largest and most unusual building from this era, the Mafra Palace, is said to be even larger than Spain's El Escorial. Following the Lisbon Earthquake of 1755, was Pombaline style (1755-1860), a blend of late Baroque and Neoclassicism, which began when Pombal's government oversaw the reconstruction of large sections of central Lisbon. Modern architecture followed this period, a style influenced in the 20th century by one of Europe's best architecture schools, the so-called Escola do Porto (School of Oporto). This school is the Faculdade de Arquitectura (School of Architecture), and alumni include celebrated architects Fernando Tavora; Álvaro Siza Vieira, designer of the Portuguese pavilion at Expo '98, Lisbon; and Eduardo Souto de Moura. Despite tragic losses of historic structures due to urban development, since the 1930s many Portuguese governments have sought to preserve and restore the remaining historic legacy of architecture.

    Historical dictionary of Portugal > Architecture

  • 3 Sintra, National Palace of

       Located off the main square in the town of Sintra, the National Palace is one of the country's oldest royal residences. Together with its rich mixture of architectural styles from different eras and cultures, the National Palace's long history of being the place where monarchs and councils made historic decisions makes the site today an especially appealing tourist attraction. With its origins in a 14th-century Gothic palace of the era of King Dinis (r. 1279-1325), this monument was added onto and altered in the course of the 15th century. It was in this palace that King João I made the vital decision in 1415 to send an expedition to capture Ceuta in Morocco, the beginning of Portugal's overseas empire. The most important additions to the palace, however, came between 1505 and 1520 under King Manuel I, and the Manueline architectural style was added to the original Gothic. The two massive Gothic kitchen chimneys from an earlier era were incorporated and not changed. Into the Manueline style was blended a strong Moorish art element including decorative tiles or azulejos and an adapted interior mosque, which was converted into a chapel. The National Palace contains the largest repository of the oldest azulejos, some dating to the 15th century, of any palace in Portugal. Among the unusual rooms must be counted the council room (with an ocean view), the Swan Room, and the Magpie Room, with rare, painted ceilings.

    Historical dictionary of Portugal > Sintra, National Palace of

  • 4 Belém, Tower of

       Built during the country's early imperial age when Portugal was a world maritime power, the Tower of Belém (Torre do Belém) in Lisbon was constructed as a defense against maritime attack in the Tagus River. This historic stone tower, one of Portugal's most perfect Manueline architectural style monument-treasures, was begun in 1515 by order of King Manuel I. The first architect was the military architect Francisco Arruda, and the tower was built in the River Tagus.
       With changes in tides, time, and the shoreline since, the tower today rests close to the Belém shoreline. The tower was built to accommodate a garrison, a prison, and artillery to ward off pirates and other raiders coming from the Atlantic up the Tagus River. Eclectic in architectural style, the tower's styles include Roman-Gothic and Manu-eline, with touches of Venetian and Moroccan influence. Located not far from the massive Monastery of Jerónimos convent, the tower is square and is surrounded by a polygonal bulwark, as well as by walls facing the Tagus. Centuries after its use in defense had ceased, the tower in its restored state became a memorable symbol of Portugal's Age of Discoveries and expansion, as well as a much-photographed icon in tourist literature.

    Historical dictionary of Portugal > Belém, Tower of

  • 5 Jerónimos, Monastery of

    (Mosteiro do Jerónimos)
       Located at Belém, west of Lisbon, the Monastery and Cathedral of Jerônimos is the most magnificent of the Age of Discoveries monuments. Ordered built as a gift to the monastic Order of Hieronymites by King Manuel I ( 1469- 1521), following the return of Vasco da Gama from India in 1499, Jerónimos was constructed between 1502 and 1525. The purpose of this massive building was to commemorate the Portuguese discovery of the sea route to India. Its location, at the time of its building very close to the water, was near the Restelo beach, the departure point for da Gama's voyage.
       One of Portugal's premier tourist attractions, Jerónimos consists of a church and claustrum and a portion of the convent, partially destroyed in the 1755 Lisbon earthquake. The Manueline architectural style was an innovation (named for King Manuel I, who helped finance constructions from the new imperial wealth from Africa and Asia; more recently, students employ the term Atlantic Baroque), with columns, pillars, and door frames decorated elaborately with stone sculpted in the form of maritime objects such as ship ropes, coral, sea life, sailors, and seaweeds.
       Jerónimos is inland from the Monument of the Discoveries, in an open square once the main site of the 1940 Double Centenary Exposition of the Portuguese World, a kind of Lisbon world's fair.

    Historical dictionary of Portugal > Jerónimos, Monastery of

  • 6 Manuel I, king

    (1469-1521)
       King Manuel I, named "The Fortunate" in Portuguese tradition, ruled from 1495 to 1521, the zenith of Portugal's world power and imperial strength. Manuel was the 14th king of Portugal and the ninth son of Infante Dom Fernando and Dona Brites, as well as the adopted son of King João II (r. 1481-95). Manuel ascended the throne when the royal heir, Dom Afonso, the victim of a riding accident, suddenly died. Manuel's three marriages provide a map of the royal and international history of the era. His first marriage (1497) was to the widow of Dom Afonso, son of King João II, late heir to the throne. The second (1500) was to the Infanta Dona Maria of Castile, and the third marriage (1518) was to Dona Leonor, sister of King Carlos V (Hapsburg emperor and king of Spain).
       Manuel's reign featured several important developments in government, such as the centralization of state power and royal absolutism; overseas expansion, namely the decision in 1495 to continue on from Africa to Asia and the building of an Asian maritime trade empire; and innovation and creativity in culture, with the emergence of the Manueline architectural style and the writings of Gil Vicente and others. There was also an impact on population and demography with the expulsion or forcible conversion of the Jews. In 1496, King Manuel I approved a decree that forced all Jews who would not become baptized as Christians to leave the country within 10 months. The Jews had been expelled from Spain in 1492. The economic impact on Portugal in coming decades or even centuries is debatable, but it is clear that a significant number of Jews converted and remained in Portugal, becoming part of the Portuguese establishment.
       King Manuel's decision in 1495, backed by a royal council and by the Cortes called that year, to continue the quest for Asia by means of seeking an all-water route from Portugal around Africa to India was momentous. Sponsorship of Vasco da Gama's first great voyage (1497-99) to India was the beginning of an era of unprecedented imperial wealth, power, and excitement. It became the official goal to create a maritime monopoly of the Asian spice trade and keep it in Portugal's hands. When Pedro Álvares Cabral's voyage from Lisbon to India was dispatched in 1500, its route was deliberately planned to swing southwest into the Atlantic, thus sighting "The Land of the Holy Cross," or Brazil, which soon became a Portuguese colony. Under King Manuel, the foundations were laid for Portugal's Brazilian and Asian empire, from Calicut to the Moluccas. Described by France's King Francis I as the "Grocer King," with his command of the mighty spice trade, King Manuel approved of a fitting monument to the new empire: the building of the magnificent Jerónimos Monastery where, after his death in 1521, both Manuel and Vasco da Gama were laid to rest.

    Historical dictionary of Portugal > Manuel I, king

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  • Manueline — ▪ architectural style Portuguese  Manuelino,         particularly rich and lavish style of architectural ornamentation indigenous to Portugal in the early 16th century. Although the Manueline style actually continued for some time after the death …   Universalium

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